SONNTAG, 15. July 2007, 23:05. - 23:45, Ö1
[ DEUTSCH ]

KUNSTRADIO - RADIOKUNST




A CASSETTE OF THIS PROGRAM CAN BE ORDERED FROM THE "ORF TONBANDDIENST"


 

Steam & Ström

by Cécile Broché and David Fortez

Steam & Ström is a musical soundscape of Stockholm, with a special focus on 'waves': Waves from the harbour or radio-waves from a small transistor scotched to the ear of a harmonica player in the street… And ‘Steam’ being linked to the numerous steamers navigating in the harbour. The tune heard briefly in the introduction is from Miles Davis’ interpretation of Dear Old Stockholm.

The present version has been remixed by David Fortez from the 'live' on-air performance during the EBU 'Art’s Birthday Party' on 17th January 2007.

Produced by the Belgian Broadcasting Company RTBF.

 

Prague – Imaginary Fragments

by Mario Verandi

“In April 2006 I spent a few days in Prague making sound recordings.
Most of the recordings were made in two locations: in The Royal Summer Palace, its surroundings and the Singing Fountain as well as in the Havelske street market and its neighbouring streets. Some more recordings were made in trams and subways.

The bronze Singing Fountain is situated in the garden of The Royal Summer Palace of Queen Anne which is in the east part of the Royal Garden. It was designed and casted by Tomáš Jaroš in 1564-68. When the water falls on the lower bronze bowl produces a particular bell-like sound which can best be appreciated directly under the wide lower bowl of the fountain.

In the Havelske street market people can buy vegetables, fruits, chocolates, typical Czech products as well as a wide range of wooden toys, puppets and table games. One can find here the typical Czech puppet witches that produce a characteristic laugh. Tourists usually crowd this market.

Additional recordings included the sound of objects found in the streets: metal objects falling on a metal sheet as well as plastic objects and metal wires. I also used a few sounds coming from a little bell, a violoncello string and a bass flute. These sounds were slightly edited and processed on the computer to create timbres and textures that helped in the structuring of the piece.

The sound composition focus on particular rhythms, timbres and textures found in the Prague recordings and aims to create an imaginary narrative made out of real sounds and situations. “

(Mario Verandi)

Produced by the Czech Radio



 


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