Jocelyn Robert (Québéc) and János Sugár, (Budapest) were
asked by the ARS ACUSTICA group to
develop the conceptual structure of the project*. They gave the project the
subtitle: "Backward Translation as a Creative Strategy", which
was meant to direct the project to questions - and problems - of interaction (and
its representation) between different social groups, disciplines, languages,
epochs and the tension between notions of "high" and
"popular" culture.
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