among_others 3 - group I: KANTINE - 28.04. - 09.05.'99 among_others 3 - group I: KANTINE - 28.04. - 09.05.'99
 Radio Installation, NY98 |
Heimo Lattner |
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born 1968 in Eisenstadt, Austria, lives in New York City. 1987- 1990 Teaching and Research Institute of Graphics, Wien 1991-1995 Academy of Fine Arts, Wien 1993 UNRUH, Stift Seckau (solo) SCHWARZMEER, Schloss Esterhazy, Eisenstadt (mit Barbara Eichhorn) 1994 Preisträger Theodor Kery Stiftung, Bild. Kunst ANNA BAUM, Galerie Ariadne, Wien (solo) LONDON LIEGT IN DER MITTE, Performance, Hydepark/London (mit R.F. Handl) FÜNF, Galerie Cosmos, Wien 1995 ZEICHNUNG, Institut für Gegenwartskunst, Wien (Prof. Denys Zacharopoulos) Diplom Arbeitsstipendium des BMWVK; Übersiedelung nach New York City. Burgenländisches. Landesstipendium für Bild. Kunst 1996 THE NOISINESS OF BODIES, Institution of Rot, London (solo) DINNER PARTY, The New York Kunsthalle (mit Wagnest, Leitgeb, Rockenschaub) ROSALIA, Galerie Ariadne, Wien (solo) 1997 WATERFALLS, The Cave Gallery, New York (solo) TLON, 8th Floor Gallery, New York (mit soundlab/cultural alchemy) IN THE FALLOUT, Chelsea Arts Building (mit soundlab/cultural alchemy) BEDBUGS ON SNOREWALLS, Four Walls Gallery, NY 1998 ETHER, The Fakeshop, New York DIE BLAUE LAGUNE, Galerie U.F.F., Budapest (solo) RADIO TILOS, Contemporary Art Radio, Budapest (solo) ALIEN ACTION, Brooklyn, New York (mit Erin Mc Gonigle) KUNST IN DER STADT- Jukeboxproject, Kunstverein Bregenz FRITZ STERN, Kaleidoscope Wood, New York(solo) ELECTRONIC MUSIC FESTIVAL, WKCR 89.9 FM New York 1999 JUKEBOXPROJECT, Museum of Contemporary Art, Lyon SINGLE MIND, Gavin Brown Enterprice, New York ME & YOU ID(entity), Kunstverein Salzburg AMONG OTHERS 3, Kunsthalle Exnergasse & Ö1 Kunstradio, Wien INTRECHANGE FORMAT, ZDB Gallery, Lissabon Artist Space, NYC, Juli 1999 Kunstraum Goethestrasse, Linz, September 1999 (solo) Galerie 5020, Salzburg, Oktober 1999 (solo) Heimo Lattner does not differentiate between the process of creating an artwork and the sound results. His interest is to extend the limits and to blur boundaries. he crosses the border between high art as product and everyday kitsch as material. He designs cells to live in and places them into various locations. Their use and form should help to overcome spatial and human limits. He also uses radio programs to become fast and dense collages. Lattner develops a particular vocabulary whose structure becomes, in the end, ambiguous. This chaos leaves no possibility other than looking to build some sense in each respective situation. His installations should meet the visitors with intensity which they cannot evade physically and psychologically. Chris DM Barlieb, 1998 Statement: 1 Starting point/concept/background *Installation as public experimental area. *Performance as element of the installation. *Environment/spatial context as a stage. Insallation as a backdrop. 2 Installation *How do you succeed to combine the work process with the situation or space in which it is created for presentation? *Through the manipulation of space in a public installation environment the visitor becomes user. In this way, the space disconnects from its established context and becomes an element of the work itself. Through this working process the outcome or result of the work is unpredictable. 3 Sound works *Sound as a reason for something occurring. *Sound material are all available radio frequencies including AM/FM. *The source material is all the free accessible information from radio stations. *Randomness contributes to a large part of the idea. Heimo Lattner 1998  "the cave" 1-mouth installation, NY97
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