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|Since 2010 I have been working on
a project titled Aural Contract, this title became an umbrella for a
series of events, publications, exhibitions and workshops that examine
the contemporary politics of listening and focuses on the role of the
voice in law.
„The Whole Truth“2012
The trigger for the audio documentary The Whole Truth is the current application of voice analysis as a lie detection method recently piloted by European, Russian and Israeli governments as well as being employed in border agencies and insurance companies all over the world. This technology uses the voice as a kind of stethoscope, an instrument to measure internal bodily responses to stress and tension; a material channel that allows the law’s listening to bypass speech and delve deeper into the body of its subjects.
The documentary, which experiments with the conventions of radio, consists of a collection of interviews with software developers, anthropologists and entrepreneurs of the biometric industry, from the Netherlands, USA and elsewhere. To the listeners, it offers a fresh look into how truth is constituted, to whom truth matters and who can use it; it complicates the current conventions of testimony and its relationship to trauma, free speech, technology and the body.
„The Aural Contract Audio Archive mix”
I have built up a sound archive, containing audio extracts of my works together with specific moments of juridical listening and speaking gathered from a wide range of sources such as the trials of Saddam Hussein and Judas Priest, UK police evidence tapes, films such as Decoder and readings from texts including Italo Calvino’s A King Listens. The components of this archive are then mixed together, generating audio documentaries and narrative compositions that immerse its audience in the heart of a discussion about the relationship of listening to politics, borders, human rights, testimony, truth and international law.