DOCUMENTATION OF THE AUDIO-ARTS-CATALOG


VOLUME 11 NUMBER 1

  • Malcolm Morley, John Stezaker, Charlie Hooker
    Malcolm Morley talks about his works in a three gallery exhibition at the Anthony d'Offay Gallery in September 1990. As weIl as paintings, Morley was also showing sculpture, being exhibited in Britain for the first time.
    John Stezaker discusses the influences, origins and references of a large group of recent collages being exhibited at the Salama-Caro Gallery, London, February 1991.
    Charlie Hooker's sound work <Wave - Wall/Dust and a Shadow> was derived from two site specific audio installations at the James -Hockey Gallery & ACAVA Central Space June-December 1990. (A)


VOLUME 11 NUMBER 2

  • Nancy Spero & Leon Golub

    Another recording in the Talking Art series of discussions held at the ICA., London, in April 1990. Here Spero and Golub discuss the difficulties and responsibilities of making socially committed art in the United States today. The artists also talk about censorship, and the use of highly charged subject matter in Golub's work and in Spero's, a preoccupation with sexuality and myth. The artists were speaking to Adrian Searle. (A)


VOLUME 11 NUMBER 3 & 4 IN ASSOCIATION WITH ARTSCRIBE

  • Issues & Debates :

    This double issue of Audio Arts is devoted to examining the current tendencies, themes and issues of contemporary art in Europe.
    Recordings were made during July and August 1991 with artists, curators, dealers and critics in Nice, Cologne, Berlin, Leipzig, Dublin and London by William Furlong and Michael Archer. Contributors were asked whether or not they felt there has been a shift in emphasis between art of the 80s and 90s, and if so, to try and define the character of that change. Is it the result of an inevitable exhaustion of interest and a consequent turn in the fashion cycle, or is it in some way due to recent social, political and economic changes in Europe? What are the important issues for art in the 90s? Questions were also asked about the seeming dominance of the New York - Cologne axis and, more generally, the relationships which exist in the various centres of production between local, national and international perspectives on art.

  • Side 1

    Nice

    Eric Troncy, critic and curator.
    Philippe Parreno & Pierre Joseph, artists.
    Xavier -Veilhan, Aimee Morgana, artists.
    Henry Bond & Liam Gillick, artists.
    Christian Bernard, Director, Villa Arson.*
    (*Interpreter - Eric Troncy)

    Cologne

    Diedrich Diederichsen, critic and Editor of Spex magazine.
    Jutta Koether, artist and critic.


  • Side 2

    Sophia Ungers, dealer, Galerie Sophia Ungers.
    Isabelle Graw, critic and Editor of Texte zur Kunst.

    Berlin

    Marius Babias, critic and curator.
    Thomas Wuiffen, Critic.
    Barbara Weiss, dealer Galerie Wewerka & Weiss.
    Bruno Brunnet, dealer Galerie Fahnemann.
    Boris Groys, writer.


  • Side 3

    Leipzig

    Dr. Klaus Werner, Director of the new Leipzig Gallery of Contemporary Art.
    Judy Lübke, dealer, Eigen + Art.
    Rudolph Remmert, publisher & collector.

    Berlin

    Maria Eichhorn, artist.
    Christos Joachimides, curator.

    Dublin

    John Hutchinson, Director, Douglas Hyde Gallery.
    Finola Jones, dealer, Kerlin Gallery.
    Patrick Graham, artist.


  • Side 4

    Dedan McGonagle, Director, Irish Museum of Modern Art.

    London

    Karsten Schubert, dealer, Karsten Schubert Gallery.
    Jon Thompson, artist.
    Stuart Morgan, critic.
    Simon Linke, artist.
    Maureen Paley, dealer, Paley Wright Interim Art.
    Iwona Blazwick, Exhibition Organiser, ICA.
    Interviews in Nice, Cologne and London conducted by Michael Archer, in Berlin, Leipzig, Dublin and London by William Furlong.

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